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The
Lorica of St. Patrick - Duration 12'
The Lorica of St
Patrick (born c 387-415, d 461)
is a new
work for Bass solo, SATB Choir, woodwind and strings but can also be
performed with Piano and woodwind or even Piano only. It is ideal as a
concert piece for Moderate sized choir up to Choral Society and sets
the Hymn of St Patrick which is well known as ‘St
Patrick’s Breastplate’ – in its longer
and fuller version The reason for writing the text was to protect
himself and his monks from the deadly enemies that lay in ambush for
clerics. It is a Lorica of faith against demons and human beings and
vices’
Both Full score and Vocal score editions will be available soon,
anybody wanting to see a copy please
email
and I will send one.
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Artengill -
Duration 10'
The name of this
piece comes from a Viaduct and
area high up in the
Yorkshire Dales on the route of
the Settle to Carlisle Railway line.
The music is written to illustrate the pasing of a day at the location
and is a continuous tone poem
that moves through its various sections without break.
The opening introduction is a 4 note motif that is expanded and becomes
the subject for a flute
melody and string answer this leads into the Morning ( Molto Moderato)
which opens with a lilting
horn call.
This call is again developed until it becomes the property of the
entire orchestra and the first major
climax.
After the melody has run its course we enter Daytime, (Allegro Giocoso)
in which the second half of
the opening motif is develpped at a faster pace and interplayed between
woodwind and strings. The
heavy rallentando at the end leads us back to the Evening and Close.
Solo string Instruments herald the end of the day as it were, and hints
from all previous sections are
used until the opening motif is reissued in in Canon. Thus completed
the piece returns to the peace
and quiet having thinned out to the original motif against tremolo
strings.
Artengill is a revision of the Orchestral work that
appeared in 1991 and was premiered by the Hessle Sinfonia, conducted by
Alan Edgar. It has been computer set and alreadythere are performances
planned. Copies are now available for perusal for any Orchestra that
may be interested.
Please email for sample score. The midi file playing
is of this work.
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